There is no content encoded with this format. Instead, a home theater receiver that uses Audyssey DSX analyzes the embedded sound cues in a 2, 5, or 7 channel soundtrack and then expands the sound field to the corresponding speaker layout. Many home theater receivers have moved away from Audyssey DSX and DSX2 options. However, Yamaha still includes this surround sound processing option on some of its theater receivers. In the home theater space, Auro 3D Audio is a competitor to the Dolby Atmos and DTS:X immersive surround sound formats. Auro 3D Audio starts with a 5.1 channel speaker layout, but there is another set or layer of front and surround speakers directly above the main listening position. These are referred to as level 1 and level 2. To get the full benefit of Auro 3D Audio, you need to include one ceiling-mounted speaker and place it directly above the listening position. This added option is referred to as the VOG channel (Voice of God). The total number of speakers (not including the subwoofer) is ten. Auro 3D Audio is both a decoding and processing format. If a Blu-ray Disc or other compatible content source is encoded with Auro 3D audio, and your home theater receiver has the necessary decoder, it will distribute the sound as intended. However, the Auro 3D Audio system also includes an up mixer so that you can get some of the benefits of Auro 3D Audio on standard two, five, and seven channel content. The Auro 3D Audio format is only available on select high-end home theater receivers and AV preamp processors. Adapted for home theater use, Dolby Atmos is available on select Blu-ray and Ultra HD Blu-ray Disc releases. It provides several speaker setup options, depending on the brand and model of the home theater receiver. The options may require seven, nine, or eleven total channels. Employ ceiling-mounted speakers for the height channels for best results. However, Dolby, in partnership with several home theater makers, has developed standards for vertically firing speakers. These can be incorporated into both bookshelf and floor-standing designs or as separate modules to be placed on top of the most current bookshelf or floor-standing speakers. Dolby Digital is often referred to as a 5.1 channel surround system. However, the term “Dolby Digital” refers to the digital encoding of the audio signal, not how many channels it has. Dolby Digital can be monophonic, 2-channel, 4-channel, or 5.1 channel. Most commonly, Dolby Digital 5.1 is referred to as “Dolby Digital.” Dolby Digital EX is based on the technology developed for Dolby Digital 5.1. This process adds a third surround channel directly behind the listener. In other words, the listener has both a front center channel and a rear center channel. The channels are labeled Left Front, Center, Right Front, Surround Left, Surround Right, Subwoofer, with a Surround Back Center (6.1) or Surround Back Left and Surround Back Right. This requires another amplifier and a special decoder in the surround receiver. Dolby Digital Plus expands the Dolby Digital family up to 7.1 channels. In addition to left and right surround speakers, it provides the ability to accommodate a pair of left and right surround back speakers. Dolby Digital and EX soundtracks are available on DVD, Blu-ray Disc, and some streaming content, while Dolby Digital Plus is available on Blu-ray and some streaming content. Dolby Pro Logic II is a surround sound processing technology developed jointly by Jim Fosgate and Dolby Labs. This system can create a simulated 5.1 channel surround environment from any two-channel source, as well as from a 4-channel Dolby Surround signal. Although different than Dolby Digital 5.1 or DTS, in which each channel goes through its own encoding/decoding process, Pro Logic II makes effective use of matrixing to deliver an adequate 5.1 representation of a stereo film or music soundtrack. Dolby Pro Logic IIx is an enhancement to Dolby Pro-Logic II. It includes the addition of two back channels to Dolby Pro Logic II’s 5.1 channels, making Dolby Pro Logic IIx a 7.1 channel surround processing system. Dolby Pro Logic IIz offers the option of adding two more front speakers placed above the left and right main speakers. This feature adds a vertical or overhead component to the surround sound field—great for rain, helicopter, or plane flyover effects. Dolby Prologic IIz can be added to either a 5.1 channel or 7.1 channel setup. While Dolby Digital is mainly intended for film and television, DTS is often used in music production. To access DTS encoded information on CDs and DVDs, you must have a home theater receiver or preamplifier with a built-in DTS decoder, as well as a CD or Blu-ray player with DTS pass-through. The result is that there is more information embedded in the audio, which translates to more detail and dynamics when played back on 96/24 compatible devices. Even if your source device or home theater receiver is not 96/24 compatible, it can still access the 48 kHz sample rate and 16-bit depth present in the soundtrack. A typical 5.1 source is encoded down to two channels. It is then re-coded back into 5.1 channels and redistributed to the five speakers (plus subwoofer). Through this process, Circle Surround creates a more immersive sound experience without losing the directional cues of the original 5.1 source material. Circle Surround provides enhancement of Dolby Digital and similar surround sound source material without degrading the original intent of the surround sound mix. It also adds a rear center channel, providing an anchor for sounds directly behind the listener. DTS-ES Matrix can create a center rear channel from existing DTS 5.1 encoded material, while DTS-ES 6.1 Discrete requires that the software already have a DTS-ES 6.1 Discrete soundtrack. DTS-ES and DTS-ES 6.1 Discrete formats are backward compatible with 5.1 channel DTS receivers and DTS encoded DVDs. These formats are rarely used on DVDs and are almost nonexistent on Blu-ray discs. DTS-HD Master Audio is one of the several audio formats designed and employed by Blu-ray Disc and the now discontinued HD-DVD format. DTS-HD Master Audio must be encoded onto a Blu-ray Disc or other compatible media format to access it. It must also be delivered via the HDMI connection on a home theater receiver with a built-in DTS-HD Master Audio surround sound decoder. While DTS Neo:6 is a six-channel system, the center-back channel can be split between two speakers. This format does not require soundtracks mixed specifically for the 11.1 channel sound field. A DTS Neo:X processor is designed to look for cues already present in stereo, 5.1, or 7.1 channel soundtracks that may benefit from an expanded sound field. DTS Neo:X can also be scaled to work within 9.1 or 7.1 channel environments. Some home theater receivers that feature DTS Neo:X incorporate the 7.1 or 9.1 channel options. In these setups, the extra channels are “folded” with the existing 9.1 or 7.1 channel layout. While not as effective as the desired 11.1 channel setup, it does provide an expanded surround sound experience that is better than the typical 5.1, 7.1, or 9.1 channel layout. Although DTS:X requires encoded content (Blu-ray or Ultra HD Blu-ray), it does not require a specific speaker layout like Dolby Atmos. It works fine with a Dolby Atmos speaker setup. Most home theater receivers that include Dolby Atmos also include DTS:X, though sometimes a firmware update is required. A properly-equipped home theater setup that features DTS:X audio decoding will map a decoded DTS:X signal to 2.1, 5.1, 7.1, or any one of several Dolby Atmos speaker setups. Although not as effective as having actual height speakers, it does cut down on speaker clutter. DTS Virtual:X can add height enhancement to both two-channel stereo and multi-channel surround sound content. It is best suited for use in soundbars, where all the speakers are housed within a single cabinet. However, it can be applied to home theater receivers as well.
